top of page
Studio Notes
A journal on acting, illustration, and quiet creative work.


How I Prepare for an Acting Role (Without Overthinking It)
I don’t do much on paper in the beginning. When I start preparing for a role, I usually sit with it quietly for a while. I don’t try to solve the character or map out every detail of their past. I’m usually listening for something simpler. A way of moving through the world. A rhythm. A kind of silence. Some preparation methods are about building — adding layers. For me it often begins with removing noise. I try to notice small things. Does she hesitate before speaking? Is her


Working With Directors: What Happens Between Takes.
On translating direction, maintaining continuity, and building a screen performance collaboratively. On screen, a scene appears to unfold without interruption. On set, it is assembled in fragments: separate angles, repeated actions, technical adjustments, pauses, and new takes that may be filmed hours apart. Part of an actor’s work is to preserve the inner movement of the scene while remaining responsive to everything changing around it. That includes the camera, the rhythm o
bottom of page
