In my Copenhagen studio, no two days look the same. I might spend the morning working through a drawing, then switch to a self-tape, voiceover work, or the practical business of illustration. Some days are mostly drawing. Others are divided between several things. Liv Hansen sketching at her desk in Copenhagen. When I sit down to work, I usually have a sketchbook nearby and something playing on the radio. It might be classical music, jazz, country, or bluegrass, depending on
