Vintage Design in Copenhagen: A Personal Guide to Museums, Historic Cafés & Antique Shops
- Liv Hansen

- Oct 6, 2024
- 4 min read
Copenhagen is often associated with Scandinavian modern design and minimalism. But what keeps drawing me back though, are the traces of earlier decades — interiors, colors, and objects that have survived from the 1920s through the 1970s.
You notice them in museum rooms, small cafés, antique shops, and flea markets scattered throughout the city. Over time, visiting these places has become part of my own creative routine. Many of my drawings begin with something I’ve observed in one of these spaces — a piece of furniture, a color combination, or the atmosphere of a particular room.
Here are a few places in Copenhagen that continue to inspire my work.
1. The Hirschsprung Collection
Tucked inside Østre Anlæg park, the Hirschsprung Collection holds one of the most beautiful collections of Danish Golden Age and Skagen paintings. Works by artists such as P.S. Krøyer, Anna Ancher, and Vilhelm Hammershøi fill the rooms.
I often return to the museum when I want to reconnect with the calm and restraint found in many Danish paintings from this period. The subjects and environments, muted palettes, and attention to light feel surprisingly contemporary. Even after several visits, certain paintings continue to reveal new details.
As an illustrator, I find myself returning to the Hirschsprung Collection whenever I need to slow down and really look. The old interiors, color choices, and careful compositions remind me how much can be said without excess.
2. The David Collection
Not far from Kongens Have sits the David Collection, one of Copenhagen’s most interesting but often overlooked museums. While the museum is best known for its extensive collection of Islamic art, it also contains remarkable examples of European and Danish decorative art from the 17th to the 19th centuries. Furniture, ceramics, and interiors from earlier centuries appear throughout the rooms.
Walking through the museum feels like stepping into another century. The textures, craftmanship, and memorable interiors often find their way into my sketchbook long before they appear in a finished illustration.

3. The Danish Museum of National History at Frederiksborg Castle
For a deeper sense of Denmark’s cultural history, Frederiksborg Castle is worth the short trip outside central Copenhagen.
The museum inside the Renaissance castle holds an enormous collection of portraits, historical paintings, and decorative arts. The interiors themselves — elaborate ceilings, carved woodwork, and grand rooms — feel like a visual archive of different periods of Danish design.
What fascinates me is seeing centuries of Danish design in one place. Every room has its own atmosphere, and together they tell a visual story about how tastes, craftmanship, and interiros have evolved over time.
4. Vintage Cafés
Copenhagen is filled with cafés, but some still retain a feeling of older interiors and slower rhythms.
Places like Café & Øl-Halle 1892 or Sankt Peders Bageri (Denmark's oldest bakery open since year 1652) have a sense of history in their walls — wooden shelves, soft lighting, and well-worn tables where generations of Copenhageners have gathered.
Sometimes all it taken is spending an hour in a place like this. A cup of coffee, a notebook, and the quiet rhythm of the room are often enough to slow my attention and remind me why these places matter.
5. Antique Shops
Exploring Copenhagen’s antique shops is another way to encounter fragments of earlier decades.
Shops such as Antik K or Green Square Antiques carry everything from mid-century furniture to vintage jewelry and ceramics. Browsing these shops feels less like shopping and more like collecting visual references. A worn tabletop, an enamel kettle, or a faded textile pattern can stay with me for months before finding its way into a drawing.
6. Flea Markets
Copenhagen’s flea markets add another layer to this exploration of the past.
Markets such as Thorvaldsens Plads Antique Market or Frederiksberg Flea Market are full of unexpected finds — old postcards, vintage books, decorative objects, and small pieces of everyday history.
What I enjoy most is the sense that each object carries its own history. Often it's a single detail — a ceramic bowl, a vintage postcard, the typography of an old book cover that I love.

7. Incorporating Danish Vintage Aesthetics into My Work
The design language of the 1920s through the 1970s has had a lasting influence on my own illustrations.
What I admire most is the honesty of these objects. Materials were chosen carefully, craftmanship mattered, and even ordinary household items were designed with care.
When I draw interiors or everyday scenes, I often think back to the atmosphere of these places — museum rooms, antique shops, cafés, and beautiful corners of the city.
Rather than copying specific objects, I try to capture the feeling of those environments: the colors, textures, and sense of time embedded in them.
Why I Keep Returning
I don't visit these places becuase they're nostalgic. I return becuase they encourage a slower way of looking.
Museums, cafés, antique shops, and flea markets remind me that inspiration rarely arrives all at once.
More often it begins with a color, a chair, a window, or the way afternoon light falls across a room. Those small observations are usually where my illustrations begin.
Further Reading
If you're interested in Scandinavian design, everyday Danish llife, and the creative process behind my illustrations, you might also enjoy:




Comments